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Keith richards guitar rig how to#

Keith richards guitar rig how to#

How to Use Amp Settings to Get a Rock ToneĪs we mentioned before, gain, treble, mids, and bass all play a role in shaping your sound. Experimentation is key in finding the right sound for you. Of course, these are just general guidelines and there are no hard and fast rules when it comes to setting your amp. Bass is typically set lower, as it can often muddy up the sound when too high. Mids are also an important part of the rock sound, as they help to add definition and clarity to the guitar’s tone. This is why gain and treble are usually set fairly high on most rock amps. In general, rock tone is defined by its aggressive sound and heavy distortion. It can mean different things to many people. We will also explore some popular rock songs and the settings used to obtain their sounds. In this guide, we will look at what the amp settings do and how to use them to get a great rock tone. Generally, good rock guitar amp settings are: That’s why it’s important to experiment with your sound and try different settings until you find something that works for you. This is a difficult question to answer, as most amps sound completely different when set the same. But how do you make it sound like rock, and what amp settings work best? The one instrument that defines it more than any others is the guitar. Rock has been around for many decades and is loved by people from around the world.

How do I get a crunchy rock sound on my amp?.

“Welcome to the Jungle” by Guns N’ Roses.

Examples of Popular Rock Songs and Their Settings.

How to Use Amp Settings to Get a Rock Tone.

Keith then began primarily using Fenders, especially Teles, for open G. During 1970 and most of 1971, he used Gibsons for open G, alternating occasionally to one of his Ampeg Dan Armstrongs:Īgain, after these were stolen, they were replaced by Ted Newman-Jones with '50s Teles and Strats. Keith initially used a Gibson ES-330 for open G (witness the Hyde Park set from 7/5/69):Īnd moved to a Les Paul Standard in open G and a Les Paul Custom (open G, capo at the 4th fret) for the Stones' '69 tour. The first Stones song in open G was "Honky Tonk Women" in 1969. Keith was already using open D and E in 1968, which he learned from old Blues records. Ry claims the Stones brought him in and ripped him off, but there is nothing in Ry's open G style to suggest this. Cooder showed both Keith and Mick Jagger open G. Keith began using open G during the "Let It Bleed" sessions in the Spring of 1969, when The Rolling Stones brought Ry Cooder in to play some guitar when Brian Jones was too stoned to play and fading fast. Ted scored Keith the awesome Fender Telecasters and Stratocasters that he used for the remainder of the sessions and The Rolling Stones' STP 1972 US Tour and beyond. The Rolling Stones certainly had amassed a huge gear collection by this point! When $44,000 of Keith's guitars were stolen from Nelcotte in the summer of '71, he tearfully called his guitar tech and builder of the time, Ted Newman-Jones to have him help replace the stolen (and never recovered) gear. Likely there were lots of other guitars present and possibly used. Early '70s Ampeg VT-22 and Fender Twin Reverb amps w/JBLs. Mick Jagger: Various '50s Gibson Les Pauls and Fender Telecasters (likely belonging to Richards and Taylor).

FX: Echoplex, Maestro Phaser, Leslie 147.īill Wyman: Late '60s Fender Mustang basses. Early '70s Ampeg VT-22 and Fender Twin amps with JBLs. Mick Taylor: '50s Gibson Les Paul Standards, '63 Gibson SG Standard w/Bigsby, late '60s ES-345, '60s Fender Telecaster, '60s Gibson Hummingbird, '60s Fender Precision Bass. I've also seen pics of Keith with his '58 Gibson Flying V (the one he used at the 7/5/69 Hyde Park gig) during these sessions. Early '70s Ampeg VT-22 and silverface Fender Twin Reverb amps w/JBLs. Keith Richards: '50s Fender Telecasters and Stratocasters (both primarily open G with/without capo), '50s Gibson Les Paul Standards and Customs, 19 Ampeg Dan Armstrongs (stolen from Nelcotte during the "Exile" sessions), late '60s Gibson ES-355, '60s Gibson Hummingbird, '60s Fender Precision Bass. Based upon my reading and pics from the sessions: